Senesino biography of alberta
Category:Opera vocalists from Italy
Angelo Maria Monticelli (1715-1758).jpg 519 × 640; 113 KB
Lando Bartolini (batterflay)".jpg 1,000 × 1,628; 730 KB
Beautiful singer,, beautiful song.jpg 4,588 × 2,638; 2.35 MB
Bechi-Caniglia-De Fabritiis-Tajo-Stignani-Gigli.jpg 1,683 × 1,233; 851 KB
Bernardo Massimiliani 001.jpg 374 × 600; 26 KB
Berrugi-curtain call.jpg 1,280 × 962; 132 KB
Borriello Bartoletti Micheluzzi Lanfranchi Natali.jpg 2,021 × 1,237; 658 KB
Bruno Bulgarelli.jpg 1,795 × 2,678; 2.56 MB
Bundesarchiv Bild 102-00586A, Hans Albers und italienischer Tenor.jpg 568 × 800; 62 KB
Bundesarchiv Bild 102-00587A, Hans Albers und italienischer Tenor.jpg 560 × 800; 56 KB
Vincenzo calvesi.gif 185 × 272; 5 KB
Carlo Angrisani by Antonio Verico.jpg 496 × 565; 156 KB
Carlo Baucarde.jpg 216 × 248; 34 KB
Carlo Bulterini.jpg 266 × 301; 4 KB
Carlo Negrini by Duroni.JPG 205 × 322; 17 KB
Boris Carmeli, 1960.jpg 1,200 × 1,600; 725 KB
Carro di Tespi lirico.jpg 2,328 × 2,500; 3.56 MB
Anna Maria Chiuri durind the recording session of The Verdi Sessions Vol.1.png 940 × 788; 877 KB
ConcertoNatale1983cantanti.jpg 1,079 × 1,407; 437 KB
Coniugi Manacchini con M.Pia Fanfani e Wally Toscanini. Casa Verdi, 1980.jpg 2,500 × 1,782; 2.21 MB
Conservatorio Nicolini fondo Pavesi cantante lirico in costume di scena 84A.jpg 4,070 × 5,865; 2.34 MB
ConsNicolini fondo Pavesi Ferdinando Neri I Lombardi 68.jpg 4,298 × 6,070; 722 KB
ConsNicolini fondo Pavesi Negri Corrado Pavesi Negri 28A.jpg 2,997 × 4,040; 1.2 MB
Coro Scala partenza per Olanda 1933.jpg 2,500 × 1,561; 2.01 MB
Coro Scala tournee Deen Haag Olanda.jpg 2,500 × 1,727; 2.19 MB
De Pace Opera Company with instruments.jpg 3,260 × 2,456; 2.45 MB
Domenico Cosselli.jpg 1,043 × 929; 310 KB
Domenico Sacchetti (1961).jpg 2,816 × 2,070; 3.34 MB
Domenico Sacchetti (attestato 195 Jane Austen Bibliography, 2013 Deborah Barnum Deborah Barnum (email: books@bygonebooksvermont.com) is a former law librarian, now a bookseller of fine and collectible books, the Regional Coordinator for the JASNA Vermont Region, and an inveterate reader and collector of bibliographies. A few words on format: the Bibliography has five sections: Austen Editions: original works, under Austen if no extensive annotation or editing is involved, otherwise under the editor’s name Austen Circle: original works/editions by and about Austen family members and friends Austen Studies: biographical, critical, and interpretive works Dissertations: a select, rather than exhaustive, list of works specifically on Austen Popular Culture: sequels, continuations, mash-ups, films, merchandise, etc. Explanatory notes are at the end of the document. Austen, Jane. Amour et Amitié [Love and Freindship]. Pref. G. K. Chesterton. Paris: Éditions Payot and Rivages, 2013. French text. _____. The Complete Novels of Jane Austen. New York: Race Point, 2013. Knickerbocker Classics. _____. Emma. San Diego: Canterbury Classics, 2013. Word Cloud Classics. _____. Emma. Narr. Judi Pennington. Ramona: Cherry Hill, 2013. CD. _____. The Illustrated Works of Jane Austen. Vol. 1. 1985. London: Bounty, 2013. Includes Pride and Prejudice, Mansfield Park, and Persuasion; with Hugh Thomson illustrations. _____. The Illustrated Works of Jane Austen. Vol. 2. 1987. London: Bounty, 2013. Includes Sense and Sensibility, Emma, and Northanger Abbey; with Hugh Thomson illustrations. _____. Jane Austen’s Pride and Prejudice. Calgary: Queensbridge, 2013. 200th anniversary edition, with illustrations by Hugh Thomson and C. E. Broc Xosé Manoel Núñez Seixas, Javier Moreno-Luzón This volume does not incite the search for, or defence of, national essences. Rather, it examines the vicissitudes of the Spanish national identity and its core of symbols and symbolic practices, which have been subjected to very diverse interpretations by multiple actors throughout the twentieth century. Resisting the tendency to define the contours of a supposedly timeless and metaphysical ‘Spanish being’ or Volksgeist, we search for what it meant to be Spanish in the past century, as a constructed identity. Consequently, the use of the word metaphor in the book’s title refers to very diverse twentieth-century expressions of ‘Spanishness’. We do not attempt to construct a Spanish version of Les lieux de mémoire, nor is this collection of essays comparable to more exhaustive thematic compilations on other state – or stateless – nationalisms and national identities: including German, Italian, Swiss, Basque or Flemish cases.8 Furthermore, this volume does not empha- size the images or visual aspects of comparative national iconology.9 We have simply selected – while acknowledging the debatable nature of our selection – some elements that to us seem indisputably relevant to Spanish nationalist imaginaries. Here, we encounter a parade of his- torical myths, official emblems such as flags and hymns, the republic and the monarchy, the role of gender, religion and language, and the symbolic dimension of the former empire in the Americas. Special attention is given to mass culture in the twentieth century, which became a crucial nationalizing element through sports, music, tourism and the Spanish national metaphor par excellence, bullfighting. View PDFchevron_right .PERSUASIONS ON-LINE V.35, NO.1 (Winter 2014) International Nineteenth Century Studies Association Final Conference Programme
Related papers