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Kazimir Malevich was the foremost practitioner of Suprematism, one of the main movements that championed geometric abstraction in Russia of the first third of the twentieth century and sought “the supremacy of pure feeling” in art.

Malevich attended painting classes in Kiev and from 1904 in Moscow, where Mikhail Larionov invited him to take part in the Jack of Diamonds exhibition in 1910, and in 1912 he was involved in establishing The Donkey’s Tail. During these years Malevich’s art evolved from an aesthetic close to Post-Impressionism to Cubism and subsequently Futurism.

For the showing of his Black Square (Moscow, Tretiakov State Gallery) at 0.10. The Last Futurist Exhibition of Paintings in 1915, he published From Cubism and Futurism to Suprematism, which summed up his new artistic theory. Thenceforward his art became focused on depicting geometric shapes, chiefly squares, on a white background. Throughout the following year he worked with other artists on the magazine Supremus, but was conscripted before it was published. The process of reducing the pictorial elements in his compositions became increasingly accentuated, culminating in the White on White series of 1917–18.

Following the Revolution of 1917, Malevich became an active member of the revolutionary art committees and was involved in the events staged to celebrate the first anniversary of the Revolution. In 1919 he accepted a teaching post at Vitebsk Art School, which was run by Marc Chagall, and took over as its director during Chagall’s absence. During the following years Malevich concentrated on his lectures, his writings on art and the establishment of the Unovis group (The Affirmers of the New Art). After being dismissed from his Vitebsk post in 1922, he moved to Petrograd (now Saint Petersburg) with a few students and worked at the Museum of Artistic Culture, which came to be called Institute of Artistic Culture (Inkhuk) in 1923. The work of the institute was exhibited fir

Kazimir Malevich (1879-1935) was a Russian avant-garde artist who created the movement known as Suprematism. It was a pioneering approach to abstract art dedicated to the appreciation of art through pure feeling. His painting "Black Square" is a landmark in the development of abstract art.

Early Life and Art Education

Born in Ukraine in a family of Polish descent, Kazimir Malevich grew up near the city of Kyiv when it was part of an administrative division of the Russian empire. His family fled from what is currently the Kopyl Region of Belarus after a failed Polish uprising. Kazimir was the oldest of 14 children. His father operated a sugar mill.

As a child, Malevich enjoyed drawing and painting, but he knew nothing of the modern art trends beginning to emerge in Europe. His first formal art studies took place when he received training in drawing at the Kyiv School of Art from 1895 through 1896.

Following the death of his father, Kazimir Malevich moved to Moscow to study at the Moscow School of Painting, Sculpture, and Architecture. He was a student there from 1904 through 1910. He learned of impressionism and post-impressionist art from Russian painters Leonid Pasternak and Konstantin Korovin.

Avant-Garde Art Success in Moscow

In 1910, the artist Mikhail Larionov invited Malevich to be part of his exhibition group known as the Jack of Diamonds. The focus of their work was on such recent avant-garde movements as

Summary of Kazimir Malevich

Kazimir Malevich was the founder of the artistic and philosophical school of Suprematism, and his ideas about forms and meaning in art would eventually constitute the theoretical underpinnings of non-objective, or abstract, art. Malevich worked in a variety of styles, but his most important and famous works concentrated on the exploration of pure geometric forms (squares, triangles, and circles) and their relationships to each other and within the pictorial space. Because of his contacts in the West, Malevich was able to transmit his ideas about painting to his fellow artists in Europe and the United States, thus profoundly influencing the evolution of modern art.

Accomplishments

• Malevich worked in a variety of styles, but he is mostly known for his contribution to the formation of a true Russian avant-garde post-World War I through his own unique philosophy of perception and painting, which he termed Suprematism. He invented this term because, ultimately, he believed that art should transcend subject matter -- the truth of shape and color should reign 'supreme' over the image or narrative.
• More radical than the Cubists or Futurists, at the same time that his Suprematist compositions proclaimed that paintings were composed of flat, abstract areas of paint, they also served up powerful and multi-layered symbols and mystical feelings of time and space.
• Malevich was also a prolific writer. His treatises on the philosophy of art addressed a broad spectrum of theoretical problems conceiving of a comprehensive abstract art and its ability to lead us to our feelings and even to a new spirituality.

Important Art by Kazimir Malevich

Progression of Art