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At long last, my review for the 2011 version of Jane Eyre is here! Is this the most delayed review ever, or what? My DVD was still in the packaging, despite having owned it for nearly two years now! Well, I didn’t watch it right away because I was trying to watch the Jane Eyres in order, and then my computer died… Anyway, I have actually seen the movie, just only once, in theaters. It was actually at an advance screening before the movie came out, so it’s been over two years. The theater I saw it in was not the greatest (it’s since been renovated) but there were few options as the film got a very limited release. I remember liking the movie and thinking the two leads were good, but being disappointed by several things (the flashbacks, the ending). I actually watched my DVD twice for this review- once to refresh my memory, and a second time with the director’s commentary on to take screencaps.
I had very high hopes for this film, despite thinking it was too soon for another adaptation. I mean, the 2006 BBC miniseries was released less than five years before this one! As much as I love Jane Eyre, I do think think there’s such a thing as adaptation overload. They could have adapted another work instead…but that’s not really on topic.
So, on my rewatch, did I think any differently? Yes, and no. Overall, my view on the film is that it is a disappointment. It could have been great but it did not meet my expectations. One of my main problems was the structure. The film starts out with Jane fleeing Thornfield and being found by the Rivers. Any scenes from before that point are flashbacks, occasionally coming back to a scene in the “present” at Moor House. I remember reading about this choice before the film came out and being hesitant, but I thought it might come out better than I expected. Unfortunately, it did not. The flashback structure was confusing for my friends who did not read the book. To me, it wa This film adaptation of the classic novel Jane Eyre by Charlotte Bronte was originally aired on Great Britain’s ITV in March of 1997 runs approximately one hour and 45 minutes. Obviously, a great deal had to be cut from the story in order to fit it into that kind of time parameter, but Kay Mellor’s script concentrates rightly on the romance between Jane Eyre and Edward Rochester and the Gothic suspense of Thornfield. This review contains plot spoilers. Orphaned ten year old Jane Eyre (Laura Harling), horribly mistreated by her father’s family, is bundled off to the Lowood Institution, a terrible school for orphan girls, ran by the evil Reverend Brocklehurst (Michael Denigris). She makes one close friend who dies of typhus, but grows up to become a teacher. The adult Jane Eyre (Samantha Morton), looking to see more of the world, takes a position as governess at Thornfield Manor. The housekeeper, Mrs. Fairfax (Gemma Jones) treats her kindly and she takes charge of a little French girl, Adele (Timia Berthome). The master of the manor, Mr. Edward Rochester (Ciarán Hinds) is a rough man who has been greatly disappointed in life. He takes an interest in Jane and they become friends, gradually falling in love. But Thornfield holds a great secret, which Jane gradually becomes aware of: a seemingly crazy servant, Grace Poole, wanders the house at night, giggling insanely. Mrs. Fairfax informs Jane that Ms. Poole is kept on due to her long service to the family. Mr. Rochester brings some of the local gentry to visit him, including a beautiful young woman, Blanche Ingram (Abigail Cruttenden) who is determine to marry Rochester. Jane is nearly at her wits end when she receives word that her aunt is dying and has requested her presence. While Jane is gone, Rochester misses her terribly and when she returns he proposes to her. They have some happiness before the wedding, which is interrupted by a Mr. Mason stating that the 8/10 Many reviewers loved this version; many hated it. And that is exactly as it should be. There are many possible interpretations of good literature, just as every person's character has many different facets. Versions of Shakespeare's plays have been enacted for hundreds of years and still every version represents something different about humankind, especially if there is innovation in the production, script or acting. 9/10 I'll start by saying this was the first version I've ever seen, and after watching it, I decided to read the book (not the other way around). “JANE EYRE” (1997) Review There have been many adaptations of Charlotte Brontë’s 1847 novel, “Jane Eyre”. And I do not exaggerate. If I must be honest, I really have no idea of the number of adaptations made. I have seen at least six of them – including his 1997 television movie that aired on the A&E Channel in the U.S. and on ITV in Great Britain. Directed by Robert Young, and starring Samantha Morton as the titled character and Ciarán Hinds as Edward Rochester; “JANE EYRE” told the story of a young and impoverished English woman forced to become a teacher at a girls’ school in early Victorian England. Bored and dissatisfied with working at Lowood – the very school where she had also spent six years as a student, Jane Eyre places an advertisement that offers herself as a governess in a private household. A Mrs. Fairfax of Thornfield Hall responds to the advertisement and hires Jane. Upon her arrival, Jane discovers that Mrs. Fairfax is Thornfield Hall’s housekeeper and that her new student is Adèle Varens, the French-born ward of the estate’s owner, Edward Rochester. It is not long before Jane finds herself falling in love with Mr. Rochester and being drawn to a mystery surrounding him and a maleficent presence at Thornfield Hall. Judging from the movie’s 108 minute running time, one could easily see that Richard Hawley’s screenplay had cut a great deal from Brontë’s original novel. Jane’s time at Lowood seemed rushed. Her disappointing reunion with the Reeds was completely cut out. And her time spent with St. John and Diana Rivers was censored heavily. The screenplay even failed to point out Jane’s family connections with the Rivers family and her small financial inheritance. Most of the cuts were made to fit the movie’s short running time and emphasize Jane’s relationship with Rochester. Did it work? That is a good question. I did have some problems with this production. One hundred and eight m Recent Posts
So many reviews miss the point
I first read Jane Eyre when I was about 8, nearly 60 years ago. It was the first book I ever cried over and it's fair to say that was part of my emotional development. I have read it many times and seen many filmed versions since - and I still love it, simply because it is fresh every time as different aspects reveal themselves - either because they are in the book or because the book resonates differently with me as I change.
So please open your mind when you watch this - and other - versions of the Bronte books. In my view it is not perfect, but few productions ever are. Even so, it was interesting, enjoyable and a joy to watch.Chopped parts but very true to the book
When I first watched it, I really had no idea what the story was about so I wasn't on my guard, and some scenes really stroke me in an emotional level I didn't believe it when I first started watching it. Samantha Morton as Jane was very convincing, not a beauty, not ugly, then I found out that was how Brontë described her in the book. Jane was well mannered, sweet and tender, but with iron will and fire in her soul, it was a perfect combination of a heroin in the book who had to endure a lot of things during her life.
As for Mr. Rochester, well I'm a big CIaran Hinds so I may not be completely objective in reviewing his acting, but fo